"Sophie Tang’s lighting design is equally powerful. There’s a striking scene where a red searchlight travels from one side of the stage to the other and comes around again, circling like a lighthouse would; another memorable image comes when Tang illuminates a sole dancer in a bright shaft of white light; otherwise surrounded by pure darkness, he might as well be making his way to another galaxy. " - Throe, Stir Magazine
"Sophie Tang provides a lightscape that shifts seamlessly from various angles: sometimes dramatically lit from stage right, at other times subtly enveloping Hille in soft, glowing light." - Little Volcano, Jo Ledingham
"...And lighting designer Sophie Tang has a field day with the burlap, illuminating it warmly from both sides and contrasting that warmth with surgically blue light when harshness is required." - Henry V, Colin Thomas
"The stars of this show are undeniably set designer Sophie Tang and lighting designer Gerald King. Kuroko, written by award-winning playwright Tetsuro Shigematsu, looks fantastic: an open ‘cube’ constructed with thin metal pillars into which are fitted opaque sliding screens. It’s a stunner." - Kuroko, Jo Ledingham
"Sophie Tang’s dramatic, and cunning, lighting is an indispensable participant in the storytelling. It conjures scenes from the mist of the past. " - Michel(le), 12thnight.ca
"...And above, Sophie Tang’s lighting designs beautifully shape and carve out the stage." - Salesman in china, Toronto Star
"Sophie Tang’s emotive lighting design and Jonathan Lewis’s epic score heighten the production’s cinematic quality and emphasize the fast-paced plot." - Three musketeers, Broadway world
"I applaud the number of debuts among the cast and crew of The Orchard (After Chekhov). In particular, Sophie Tang’s admirable lighting design was a welcome change from the very few and familiar names I usually see in that position. " - The Orchard, Georgia Straight